Rayna Gellert seems a preternaturally gifted songwriter, it’s because
she’s seen farther into the old songs than most. Growing up in a musical
family, Gellert turned to Appalachian old-time music at a young age,
becoming a prodigious fiddler and leading a new revival of American
stringband music through her work with the acclaimed American roots band
Uncle Earl. Through the late nights at music festivals, the
kerosene-lit jam sessions in campgrounds, the all-night sessions in a
warm kitchen, the old songs have fueled her passion for the music. The
Appalachian ballads leave so many parts unknown, so many stories half
told, that it’s only natural she’d turn at some point to finishing the
stories herself. What she found when she did was that she had an
uncommon talent for songwriting that reads both as simple and
accessible, but also heartfelt and profound. A great songwriter never
overwrites a song, and that’s a lesson Gellert learned from folk song.
With her new mini album, 'Workin’s Too Hard', out January 20, 2017 on StorySound Records, she pulls from the tradition, but the songs are all her own and the arrangements are built on a collaboration with Nashville songwriter Kieran Kane (co-producer, mandolin, guitar, vocals). In the vein of other artists like Sam Amidon and Gillian Welch, Gellert’s roots in Americana run so deep that no matter what she writes, it will always have a timeless quality to it.
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