What
better way to celebrate a 30th anniversary! Michele Rosewoman and New
Yor-Uba invite friends, fans and aficionados to support the realization
of their first CD, to be recorded in the studio in April and released
this fall through their Kickstarter campaign.
Pianist/Composer
Michele Rosewoman has spent a lifetime immersing herself in the essence
of spiritually based Cuban Folkloric music and contemporary jazz
concepts, and over the past three decades, New Yor-Uba's repertoire has
deepened and evolved. With your support, 30 years of musical evolution
can reach fruition here and now.
Through a Kickstarter
campaign, Michele Rosewoman needs to raise $23,000 in funds to help
cover the expenses of hiring 10 master musicians to record the music at
the highest level, as well as costs for studio time, mixing, mastering,
duplication, and marketing of the CD.
Celebrating
the mystery of Yoruban deities and their role in contemporary life,
Rosewoman musically integrates horns and a rhythm section with a core of
master Cuban vocalists and drummers, uniting the worlds of contemporary
jazz and Cuban folkloric music. The repertoire for this project will
include new and rarely performed works alongside New Yor-Uba classics.
Personnel
will reflect the ensemble's 30-year trajectory, including both longtime
collaborators and new faces. Ms. Rosewoman recalls, "At our first
rehearsal three weeks ago my instincts regarding choice of personnel
were confirmed. With this group of amazingly creative and
tradition-drenched voices I seem to have found a striking balance and
affinity that will be reflected in every way in the music we are about
to document."
Personnel includes:
Michele Rosewoman -- Piano and Vocals
Freddie Hendrix -- Trumpet and Flugelhorn
Oliver Lake -- Soprano and Alto Saxophones
Gary Thomas -- Tenor Saxophone and Flute
Vincent Gardner -- Trombone
Howard Johnson -- Baritone Saxophone and Tuba
Pedrito Martinez -- Bata, Congas, Vocals
Roman Diaz -- Bata, Congas, Vocals
Abraham Rodriguez -- Bata, Congas, Vocals
Yunior Terry -- Bass
Adam Cruz -- Drums
Michele Rosewoman -- Piano and Vocals
Freddie Hendrix -- Trumpet and Flugelhorn
Oliver Lake -- Soprano and Alto Saxophones
Gary Thomas -- Tenor Saxophone and Flute
Vincent Gardner -- Trombone
Howard Johnson -- Baritone Saxophone and Tuba
Pedrito Martinez -- Bata, Congas, Vocals
Roman Diaz -- Bata, Congas, Vocals
Abraham Rodriguez -- Bata, Congas, Vocals
Yunior Terry -- Bass
Adam Cruz -- Drums
"New
Yor-Uba is the tapestry that weaves together all of my dreams,
experiences, knowledge, the people I've met, the places I've been and
the life or lives I've lived," Rosewoman explains. "This recording will
be a dream fulfilled, the manifestation of what is truly one of my
greatest goals. We invite you to help us celebrate our 30 years by
contributing to the project and being a part of this landmark moment in
our history."
How You Can Help:
Michele Rosewoman and New Yor-uba need your support and your pledges to make this happen successfully. They are offering various gifts, perks and opportunities, all of which provide the opportunity to share and enjoy a heartfelt musical experience. Please join in making this happen by giving your pledges at Kickstarter.
Michele Rosewoman and New Yor-uba need your support and your pledges to make this happen successfully. They are offering various gifts, perks and opportunities, all of which provide the opportunity to share and enjoy a heartfelt musical experience. Please join in making this happen by giving your pledges at Kickstarter.
About New Yor-Uba:
The name "New Yor-Uba" reflects the progression of the music of the ancient Yoruba people from Nigeria through Cuba to present day New York, and salutes the Orishas (Yoruban deities) in a contemporary jazz setting. Repertoire features Ms. Rosewoman's original compositions alongside arrangements of centuries-old Yoruba (Nigeria) and Arara (Dahomey, present-day Benin) chants as well as Abakwa (Nigeria) and Rumba (Cuba) musical traditions.
The name "New Yor-Uba" reflects the progression of the music of the ancient Yoruba people from Nigeria through Cuba to present day New York, and salutes the Orishas (Yoruban deities) in a contemporary jazz setting. Repertoire features Ms. Rosewoman's original compositions alongside arrangements of centuries-old Yoruba (Nigeria) and Arara (Dahomey, present-day Benin) chants as well as Abakwa (Nigeria) and Rumba (Cuba) musical traditions.
Support
from the National Endowment for the Arts facilitated their 1983
premiere as a 14-piece ensemble featuring master folklorist Orlando
'Puntilla' Rios at Joseph Papp’s Public Theatre in NYC. Performing
throughout the U.S. and Europe in the years to follow, he remained both
the featured ensemble member and a vital mentor until his passing 5
years ago. Dedicated to his memory, the ensemble moves ahead with
gratitude and respect for the foundation given us by Mr. Rios.
Ms.
Rosewoman is credited as one of the first in delivering a thoroughly
uncompromised synthesis of these two profound musical genres. New Yor-Uba
remains eminently vital as Rosewoman continues to enhance the
ensemble's repertoire with new music and personnel to reflect and
explore the crossroads of these musical traditions as perceived through
her genuinely unique vision.
No comments:
Post a Comment